iPhones and most DSLR cameras come with spherical lenses that project a circular image onto the camera sensor. In contrast, the anamorphic lens has a unique oval-shaped bokeh that stretches the x-axis, creating a wider horizontal frame for cinematic scenes.

Designed with iPhone filmmakers in mind, the anamorphic lens incorporates multi-element, multi-coated, and anti-reflective glass. The multi-element structure reduces color distortion, a challenge that single-element lenses can't address on their own. Additionally, the multi-coating and anti-reflective glass enhance durability and help maintain contrast levels.

The ultra-wide aspect ratio, created by the oval bokeh effect, enables filmmakers to capture broader, cinematic perspectives. Renowned directors like JJ Abrams and Steven Soderbergh have used this technique to achieve visually striking results with a horizontally stretched look.

When shooting with wide-angle lenses, filmmakers often encounter close-up distortions, but an anamorphic lens maintains the correct aspect ratios, even with wide formats.

However, the resulting squeezed footage requires de-squeezing to appear as normal, undistorted video. This de-squeezing process can be performed using post-production software like Filmic Pro or Blackmagic camera app.

This allows for seamless playback of footage that has already been appropriately adjusted, streamlining the workflow for creators. For guidance on de-squeezing anamorphic footage, view here.

Cinema-engineered glass is essential whenever complex optical performance is required. Multi-element lenses are crucial when a single lens is insufficient to prevent aberration or wavefront distortion.

With its multi-element and multi-coated glass, the anamorphic optic effectively reduces distortion and enhances durability, while its anti-reflective properties minimize reflections and ensure superior performance.